DVEO to Feature Analog to H.264 Encoder for Private IP Networks at InfoComm 2010

reCoder/IP™ is Ideal for Multicasting in Hotels, Hospitals, Restaurants, and Universities

San Diego, California — DVEO, the broadcast division of Computer Modules, Inc. (CMI), will demonstrate their new analog to MPEG-4/H.264 encoder with IP output at InfoComm, the world’s largest audio-visual trade show, June 9-11, in Las Vegas, Nevada, in Booth N1576.

Designed for multicasting over private IP networks, the reCoder/IP™ is a real time HD and SD H.264/AVC encoder with YPrPb or composite input and IP output. The system re-encodes analog video feeds into H.264 and delivers them to IP set-top boxes, which convert the feeds to HDMI and send them to multiple television monitors. It features remote web-based management, automatic standards detection of HD (1080i or 720p) or SD input, and a latency of 750 milliseconds.

“We recommend the reCoder/IP to pro-AV systems integrators who install and manage video systems in hotels, hospitals, restaurants, and schools,” stated Laszlo Zoltan, Sales Manager for DVEO. “It’s a reliable and very cost effective encoder. And the H.264 output uses 60 percent less bandwidth than MPEG-2, with the same video quality.”

The reCoder/IP encodes analog to IP at 1 to 12 Mbps. Audio encoding is AAC or Dolby® Digital AC-3. The rack mountable system includes software for web-based remote management. The reCoder/IP is now shipping.

Features
Input: YPrPb (Component) or CVBS (Composite)
Output: Transport stream over IP (UDP)
Compliant with H.264/MPEG-4 AVC standard
Automatic detection of SD or HD input
AAC or Dolby® Digital AC-3 audio encoding
Encoding bit rates: 1 Mbps to 12 Mbps
Resolutions: 1080i, 720p, 480p, 480i – 59.94 fps
Configure and operate via web-based remote management
Constant Bit Rate (CBR)
Supports unicast or multicast
Tested to work with STB’s (set-top boxes)
1 RU with mounting holes

DVEO and reCoder/IP are trademarks of Computer Modules, Inc.
All other trademarks and registered trademarks are the properties of their respective owners.

Suggested Retail Price:
reCoder/IP — $3,495 U.S.

DVEO’s Transcoders at InfoComm

DVEO’s New SD/HD MPEG-2 to H.264
Transcoders to be Featured at
InfoComm, Booth N1576

Newest MPEG Gearbox™ Systems – IP to ASI and SMPTE 310 to IP –
are Now Shipping

San Diego, California — DVEO, the broadcast division of San Diego based Computer Modules, Inc. (CMI), will demonstrate their unique product line of Linux® based MPEG-2 to H.264 transcoders at InfoComm, the world’s largest audio-visual trade show, June 9-11, in Las Vegas, Nevada, in Booth N1576.

Designed for A/V systems integrators and the cable, telco TV, and IPTV industries, MPEG Gearbox™ is DVEO’s new family of broadcast quality MPEG-2 to H.264 transcoders or MPEG-2 to MPEG-2 scalers. Five systems are available: ASI to IP, ASI to ASI, IP to IP, and the newest systems, IP to ASI, and SMPTE 310 (8VSB) to IP.

Each system transcodes one or two HD streams (1080i or 720p) or five to ten SD streams from MPEG-2 to H.264 or vice-versa, and outputs the streams over ASI or IP. The MPEG Gearbox ASI/IP and MPEG Gearbox SMPTE 310/IP can also receive 1 to 4+ MPEG-2 channels and output them to a dedicated IP network as MPEG-2 streams.
Audio support is MPEG, AAC/MPEG-4, or AC-3 passthrough.

The H.264/MPEG-4 compression standard uses up to 60 percent less bandwidth and disk space than MPEG-2 video, with no change in picture quality.

The three transcoders with IP output – MPEG Gearbox ASI/IP, MPEG Gearbox IP/IP, and MPEG Gearbox SMPTE 310/IP – generate IP streams that can be viewed on television sets with standard IP capable set-top boxes, or on computers using streaming video software clients such as VLC or Mplayer. MPEG Gearboxes are typically deployed in “closed” systems such as hotels, universities, and corporations, where bandwidth is dedicated and is used for this purpose only.

“We recommend the MPEG Gearbox to systems integrators who need to stream ASI or IP content on dedicated networks,” stated Laszlo Zoltan, Sales Manager for DVEO. “The systems are reliable, easy to use, and very cost efficient.”

MPEG Gearboxes feature very low latency, PID filtering of all unwanted traffic, and a simple GUI for operation. The H.264 transcoders support both NTSC and PAL, and can also be used as PAL to NTSC converters.

Features
Input format can be MPEG-2 or H.264
Output format can be MPEG-2 or H.264
Input: DVB ASI or IP (depending on version)
Output: DVB-ASI or IP (depending on version)
Supports NTSC or PAL
Will work as a PAL to NTSC converter
Transcoding bit rates: 64 Kbps to 12 Mbps
Resolutions: SQVGA, QCIF, QVGA, SIF, VGA, or any custom size up to 1080i
Supports SD or HD input
Up to 1080i HD output
Very low latency
Transcodes one or two HD streams (1080i or 720p) or 5 to 6 SD streams from MPEG-2 to H.264 (CPU dependent) or vice-versa
MPEG Gearbox ASI/IP and MPEG Gearbox SMPTE 310/IP can also receive 1 to 4+ MPEG-2 channels and output them to IP network as MPEG-2 streams
SNMP support
Tested compatible with major brands of H.264 decoders
Audio support: AAC, MPEG audio, or AC-3 passthrough
Settings are remembered when power cycled
Based on embedded Linux®

Note: MPEG Gearbox ASI/IP and MPEG Gearbox IP/IP are typically deployed in “closed” systems where bandwidth is dedicated and is used for this purpose only. They are not designed to work over the public internet.

DVEO and MPEG Gearbox are trademarks of Computer Modules, Inc.
All other trademarks and registered trademarks are the properties of their respective owners.

Suggested Retail Prices:
MPEG Gearbox IP/ASI – $5,495 U.S.
MPEG Gearbox ASI/IP – $5,495 U.S.
MPEG Gearbox ASI/ASI – $5,995 U.S.
MPEG Gearbox IP/IP – $4,490 U.S.
MPEG Gearbox SMPTE 310/IP – $5,995 U.S.

DVEO, 11409 West Bernardo Ct. San Diego, CA, 92127
Web: www.dveo.com phone: +1 (858) 613-1818, fax: +1 (858) 613-1815

Fisher Tech. Demo of Navigator MoCo System

Fisher Technical Services Inc. announces a live demonstration of their revolutionary motion control system and integrated production technology, Navigator, May 23rd and 24th in Van Nuys, CA. The free two-day event will feature several opportunities for industry professionals to converge and interact with FTSI’s award-winning Navigator system, the only fully integrated technology available that seamlessly networks between cinematography, second unit, and special and visual effects departments to achieve ground-breaking cinematic effects.

The two-day program allows unprecedented access to the Las Vegas-based entertainment automation firm’s cutting-edge production software and hardware and to its creator, entertainment engineering expert, Scott Fisher. “We enjoyed presenting at Cinegear in the past but given the broad scope of Navigator’s capabilities we felt an exclusive event in Los Angeles would be the most effective demonstration of the advantages of using our gear and technology,” said Fisher.

In addition to live Navigator camera flight demonstrations using a Red One camera, the schedule of events include an open-house reception, one-on-one production workflow evaluations with Fisher and his team of expert operators, plus casual seminars focusing on how FTSI’s services and technology can streamline and enhance the film-making process. Said Fisher, “Filmmakers want to push the artistic envelope and our equipment allows them to, both creatively and technically, by unifying and synchronizing cinematography with complex stunts, visual, special or mechanical effects to deliver precise control and unlimited repeatability. Plus, Navigator can also control any camera move or effect individually, so the options for how professionals apply our technology are pretty unlimited.”

Fisher Technical Services Inc.’s live demo will take place on in Van Nuys, CA Sunday, May 23rd from 10:30am to 6:30pm and Monday, May 24th from 10:00am to 7:00pm at Pictorvision, a leading supplier of aerial stabilized camera systems for the broadcast, entertainment and commercial sectors. Tom Hallman, President of Pictorvision: “I knew FTSI was behind some of the biggest stunts I’ve seen on film recently but it wasn’t until I spent time at their Vegas headquarters that I understood what an impact Navigator is really making in all areas of film production. It’s a pleasure to let them use our new Van Nuys facility to showcase the power and flexibility of their gear and I’m excited Scott will be giving a special presentation specifically for the “Cinners” organization. I don’t think enough people in Hollywood know just how sophisticated motion control has become and with that the new capabilities now available to help filmmakers innovate.”

The two-day event will be capped off by a formal presentation by Scott Fisher Monday from 7:00-9:00pm, where he will address the “Cinners” Cinema Innovators Network as to recent advancements his research and development team have made in motion control for special effects, visual effects, stunts and camera control. Fisher will also reveal how his technology is being used in diverse applications within the live theater, architectural design, theme park and themed entertainment industries.

All events are free and open to the entertainment and technology communities. Refreshments and food will be provided. To RSVP or schedule a private demo during the two-day event please email  FTSIDemoEvent@fishertechnical.com by May 14th. For full details on the event, please visit www.cinemainnovators.com.

Stereoscopic Films

Also known as “3D films.”

Stereoscopy is a process where a live or an animated scene is captured by means of two co-sited cameras and reproduced with discreet streams for the left and the right eye. The goal of stereoscopic imaging is to simulate the human perception of depth and space.

The commercial term “3D” is more popular then the more appropriate term “stereoscopy.” The term “3D” is also used to describe technically unrelated computer animated films.

Parallax

There are different types of parallax.

Parallax in stereoscopic vision describes the apparent displacement in vision between the left and the right eye or the left and the right camera.

All depth planes except the plane that the eyes are converging on display a certain amount of parallax. The parallax manifests itself as a spatial image displacement. The displacement is larger further away the object is from the converged plane.

Matrox Announces an Integrated Toolkit for Adobe Creative Suite 5 Production Premium

NAB 2010 – Las Vegas – April 11, 2010 — Matrox® Video Products Group today announced support for Adobe® Creative Suite® 5 Production Premium software with Matrox MXO™2 I/O devices for Windows. The key features of this new release include: full-resolution, full-frame-rate, multi-layer, realtime video editing via Matrox RT™ technology; lightning fast H.264 hardware encoding for Blu-ray, the Web, and mobile devices via Matrox MAX™ technology; and professional audio and video input and output with 10-bit hardware up/down/cross conversion.

“Adobe CS5 Production Premium offers a complete solution that is packed with performance breakthroughs for creating professional video, audio, and interactive content,” said Simon Hayhurst, senior director product management, Digital Video and Audio Group at Adobe. “The combination of the new Mercury Playback Engine in Adobe Premiere Pro CS5 with the tightly integrated Matrox RT technology and fast H.264 encoding via Matrox MAX, delivers time-saving and productivity advantages that positively impact nearly every area of professional editing and I/O.”

“Adobe CS5 Production Premium delivers breakthrough performance enhancements. Combined with Matrox’s field-proven RT technology users will get more realtime editing capabilities with today’s popular formats including AVCHD,” said Alberto Cieri, senior director of sales and marketing at Matrox. “Matrox technology and Adobe CS5 together offer a fully integrated way to maximize performance of the video production workflow.”

The Matrox MXO2 devices will be demonstrated at NAB 2010 in booth SL3920.
Key features of Matrox MXO2 Family with MAX for PC with Adobe CS5

* Matrox RT technology that works with the Adobe Mercury Playback Engine to provide full-resolution, full-frame-rate, multi-layer, realtime video editing and advanced realtime effects
* Lightning fast H.264 encoding with Adobe Media Encoder, Adobe Premiere Pro and Adobe Encore® using Matrox MAX technology
* Broadcast quality HD/SD video and audio input/output for laptops and desktops
* Convenient form factors for use in studio, on set, in the field, and in OB vans
* Flexible support for leading codecs, file formats, cameras, and workflows
* Captures to HD and SD codecs – 8- and 10-bit uncompressed and highly efficient Matrox MPEG-2 I-frame
* Extensive application support including Adobe Premiere Pro, Adobe Encore, Adobe Photoshop®, Adobe After Effects®; Autodesk Combustion; and NewTek LightWave 3D
* 10-bit HDMI input, output and monitoring with color calibration controls including blue-only
* 10-bit realtime hardware up/down/cross version on capture and output
* Matrox A/V Tools application for fast capture/playback of audio, video, and still frames
* Three-year hardware warranty and complimentary telephone support

Price and availability

Adobe Creative Suite 5 support for the Matrox MXO2 devices with MAX for Windows will be available to registered users as a free download from the Matrox website in June 2010. Matrox RT features and H.264 encoding acceleration can be added to systems using versions of the MXO2 family without MAX by adding a Matrox CompressHD card.
About Matrox

Matrox Video Products Group is a technology and market leader in the field of HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, DVD/Blu-ray authoring, scan conversion, capture/playout servers, clip/still stores, and CGs. Matrox’s Emmy award-winning technology powers a full range of content creation and delivery platforms used by broadcasters, post-production facilities, project studios, corporate communicators, and videographers worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information visit www.matrox.com/video.

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Matrox is a registered trademark and Matrox MXO, Matrox CompressHD, Matrox RT, and Matrox MAX are trademarks of Matrox Electronic Systems Ltd. Adobe, Adobe Premiere, After Effects, Creative Suite, Encore, Flash, and Photoshop are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries. All other trademarks are the property of their respective owners and are hereby acknowledged.

Matrox Announces Matrox MXO2 Mini for Avid Editing Systems

A New Choice for HD Monitoring at $449

NAB 2010 – Las Vegas – April 11, 2010 – Matrox® Video Products Group today announced a cost-effective HD monitoring solution for the newly launched Avid® Media Composer® V5 and NewsCutter® V9 editing systems. Matrox MXO2 Mini turns a user’s HDMI screen into a professional-grade video monitor with color calibration tools including blue-only. The small, lightweight, external box is ideal for file-based workflows in studio, on set, in the field and in OB vans. It provides HDMI, analog component, S-Video, and composite output and cross-platform support for Macs and PCs, laptops and workstations.

“Since the launch of our popular MXO2 product line, Avid customers have been asking us to support their editing application of choice,” said Alberto Cieri, senior director of sales and marketing at Matrox. “Now with support for Media Composer V5 and NewsCutter V9 with MXO2 Mini, they have the perfect cost-effective monitoring device for their file-based workflows.”

“Matrox is well known in the industry for the quality of the products they manufacture,” said Angus Mackay, segment marketing manager, professional segment at Avid. “Collaborating with them to bring a cost-effective HD monitoring solution to users of software-only versions of Media Composer and NewsCutter was an easy choice for Avid.”

Matrox MXO2 Mini for Avid Media Composer V5 will be demonstrated at NAB 2010 in the Matrox booth, SL3920, and in the Avid booth, SU902.

Key features of Matrox MXO2 Mini for Avid Media Composer

* Turns your HDMI screen into a professional-grade video monitor with color calibration tools including blue-only
* Small, lightweight, external box for use in studio, on set, in the field, and in OB vans
* Cross-platform support – Mac and PC; laptops, desktops, and workstations
* HDMI, analog component, S-Video, and composite output
* Stereo RCA and up to 8 channels of HDMI audio output
* 5.1 and 7.1 surround sound monitoring on the HDMI output
* Compatible with Avid Media Composer V5 and Avid NewsCutter V9
* Three-year hardware warranty and complimentary telephone support

Price and availability

Matrox MXO2 Mini, priced at $449 US (£338, €382) not including local taxes, is available through a worldwide network of authorized dealers. Avid Media Composer V5 and Avid NewsCutter V9 are supported.

About Matrox

Matrox Video Products Group is a technology and market leader in the field of HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, DVD/Blu-ray authoring, scan conversion, capture/playout servers, clip/still stores, and CGs. Matrox’s Emmy award-winning technology powers a full range of content creation and delivery platforms used by broadcasters, post-production facilities, project studios, corporate communicators, and videographers worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information visit www.matrox.com/video.

About Avid

Avid creates the digital audio and video technology used to make the most listened to, most watched and most loved media in the world – from the most prestigious and award-winning feature films, music recordings, television shows, live concert tours and news broadcasts, to music and movies made at home. Some of Avid’s most influential and pioneering solutions include Media Composer, Pro Tools®, Avid Unity™, Interplay®, Oxygen 8, Sibelius® and Pinnacle Studio™. For more information about Avid solutions and services, visit www.avid.com, del.icio.us, Flickr, Twitter and YouTube; connect with Avid on Facebook; or subscribe to Avid Industry Buzz.

Matrox Announces Support for ProRes Codec in Matrox DSX Developer Products

NAB 2010 – Las Vegas – April 11, 2010 – Matrox® Video Products Group today announced that support for the Apple ProRes codec is now integrated into its Matrox DSX Developer Products. Manufacturers of PC-based ingest/playout servers, character generators, broadcast graphics systems, and transcoding systems can now easily support workflows that rely on Final Cut Pro. The first equipment suppliers to implement support for the ProRes codec using the Matrox DSX platform are EditShare and Vizrt. “We are extremely excited to be one of the first Matrox OEM customers to implement ProRes support. This new functionality will let Final Cut Pro workgroups tap into the advanced ingest/playout capabilities of Geevs like never before,” said James Richings, managing director, EditShare EMEA. “It’s a development that fits beautifully into our fundamental philosophy of collaborative workflows.”

“Matrox support for the Apple ProRes codec offered Vizrt a quick and simple way to add value to our product line,” said Christian Huber, executive VP IT and logistics, Vizrt. “We are now able to give our broadcast customers a more open and versatile solution, making their workflow more efficient and the Vizrt proposition even more compelling.”

“For over 30 years Matrox has been supplying the hardware and software tools that keep broadcast equipment manufacturers at the forefront of emerging video markets,” said Alberto Cieri, senior director of sales and marketing, Matrox. “Final Cut Pro is ubiquitous in broadcast facilities worldwide, and we are offering the enabling technology our partners require to provide smooth workflow solutions to their customers.”

The Matrox DSX Developer Products will be demonstrated at NAB 2010 in booth SL3920.

Key features of the Matrox DSX platforms

· Modular architecture gives developers the flexibility to meet technical and price targets

· Multi-channel HD and SD video/audio I/O support from a single card including 3 Gb/s for 1080p

· Extensive native codec support in HD and SD including DV, D10 for IMX, HDV, DVCPRO HD, MPEG-2 4:2:2, MPEG-2 4:2:2:4 YUVA, MPEG HD for XDCAM HD, MPEG HD422 for XDCAM HD422, AVC-Intra for P2, H.264 and Apple ProRes

· Cross platform file format support – MXF, MOV, AVI, MPG, etc.

· Multi-layer onboard HD scaler/compositor

· Professional realtime effects including sub-pixel 2D/3D DVE, color correction, chroma/luma keying, graphics overlay, smooth speed changes, etc.

· Application development support by a team of dedicated, experienced engineers

Availability

The Matrox DSX SDK with support for Apple ProRes and the Matrox X.mio2 multi-channel HD/SD I/O card are available to developers now.

About EditShare LLC

EditShare LLC is the pioneer of a new category of collaborative editing solutions designed for digital media workgroups and production companies. The EditShare system fuels the collaborative creative process for digital media artists by delivering high-quality, high-performance, and cost-effective networked collaborative editing solutions.

EditShare shared storage solutions, EditShare Storage Series, and EditShare XStream Series enable editors and compositors to easily and economically share media and work collaboratively regardless the platform or application. Users connected to an EditShare network can seamlessly access, in real time, a common pool of media files. Source material, work in progress, and finished packages are shared and instantly available to all users on the EditShare network. The rules-driven workflow ensures that no data is ever overwritten or accidentally destroyed.

EditShare Flow, Lightworks, Geevs, and EditShare Ark bookend the shared production storage workflows with advanced multi-channel ingest/browse, non-linear editing, playout, and archiving/back up capabilities. The integrated solutions provide a highly scalable, end-to-end media management workflow. For more information visit www.editshare.com.

About Vizrt

Vizrt creates leading-edge content production tools for the digital media industry – from award-winning 3D graphics and maps through integrated video workflow solutions and online publishing tools. The company proposes a new vision for content creation, management, and delivery with an end-to-end solution from conception to multi-format distribution. Through constant innovation and a good measure of fun, Vizrt creates software and services that push creative boundaries and develop new ways of telling stories.

Vizrt’s product suite is used by the world’s leading broadcasters and publishing houses, including: CNN, CBS, Fox, BBC, Sky, ITN, ZDF, Star TV, Network 18, TV Today, CCTV, NHK, The Globe and Mail, The Telegraph, and Welt Online. Furthermore, many world-class production houses and corporate institutions, including both the New York and London Stock Exchanges, utilize Vizrt solutions. Vizrt is a public company traded on the Oslo Main List: VIZ, ISIN: IL0010838154. For more information visit www.vizrt.com.

About Matrox

Matrox Video Products Group is a technology and market leader in the field of HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, DVD/Blu-ray authoring, scan conversion, capture/playout servers, clip/still stores, and CGs. Matrox’s Emmy award-winning technology powers a full range of content creation and delivery platforms used by broadcasters, post-production facilities, project studios, corporate communicators, and videographers worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information visit www.matrox.com/video.

Company 3 Sponsors the 2010 Tribeca Film Festival

SANTA MONICA, Calif. — March 31, 2010 — Company 3 has signed on as an Industry Sponsor of the 2010 Tribeca Film Festival.

As an Industry Sponsor, Company 3 is offering $100,000 in postproduction services to the winners of the Best New York Narrative and Best New York Documentary Awards, co-hosting the New York Filmmakers party on April 20th, and providing postproduction services to Tribeca for its promotional trailers.

“We have always been a big supporter of independent filmmakers,” says Stefan Sonnenfeld, President and Managing Director of Company 3. “New York filmmakers are particularly important to us as we look towards the launch of our new 30,000 square foot DI facility located in the heart of Chelsea which will house both Company 3 and its sister visual effects facility, Method. It’s another reason that it’s so exciting for us to be part of this year’s Tribeca Film Festival.”

While widely recognized within the industry as the as the go-to shop for major studio features, Company 3 has also collaborated on numerous independent films, most recently having provided post production and color grading work to films such as “The Hurt Locker,” “A Single Man,” “Waiting for Superman,” and “Brooklyn’s Finest.”

The 2010 film selection encompasses feature films from 38 different countries, including 44 World, eight International, 14 North American, six U.S. and 12 New York Premieres, including seven titles that are part of the fourth annual Tribeca/ESPN Sports Film Festival. The 2010 film slate was chosen from a total of 5,055 submissions, a record number for the Festival.

# # #

About Company 3:
Company 3 is a comprehensive postproduction facility for features, commercials and music videos. Known for our creative color artistry, pioneering technology and global reach, Company 3 is trusted to deliver a quality product every time.

Company 3’s incredible talent roster includes John Bonta, Sean Coleman, Siggy Ferstl, Billy Gabor, Dave Hussey, Tim Masick, Victor Mulholland, Stephen Nakamura, Mike Pethel, Tom Poole, Rob Sciarratta, Stefan Sonnenfeld and Matt Turner. Recent commercial projects are campaigns for Apple, Audi, BMW, Heineken, Nike, and others. Recent feature film credits include “Alice in Wonderland,” “Robin Hood,” “Prince of Persia: The Sands of Time,” “The Hurt Locker,” “A Single Man,” “Public Enemies,” and “Star Trek.” Company 3 is an Ascent Media company.

For more information:
Media contacts:
Gail Laguna
Director, Global PR, Ascent Media
glaguna@ascentmedia.com
818.260.6229

Sales contact:
Jackie Lee
Vice President Feature Sales
jackielee@company3.com
310.255.6634

Matrox Announces World’s First Four-Channel 3G SDI Cards for Mac

Montreal, Canada – March 29, 2010 – Matrox Video Products Group today announced the Matrox Multi input/output cards which bring a new level of channel density to Mac Pro and Apple Xserve systems. In a single PCIe slot, a Matrox Multi card provides up to four independent inputs or outputs with up to 16 embedded audio channels per SDI stream. User-selectable combinations of 3G, HD, SD, and Dual Link are supported. The Matrox Multi cards are designed to let users get the most from the valuable expansion slots in Apple systems and eliminate the expense of multiple systems in many applications. The innovative features of the Matrox Multi cards make them the ideal choice for capture/playout servers, clip and still stores, character generators, graphics/production servers, and automation/master control units. The Matrox Multi cards are supported by the Matrox Software Development Kit (SDK) for Mac.

3G SDI Card for Mac

“Leading developers of Mac-based live production and broadcast solutions are now focused on porting their applications to the Matrox Multi cards,” said Wayne Andrews, product manager at Matrox. “We expect a spate of partner announcements at NAB 2010 and in the months following.”

The Matrox Multi cards will be demonstrated at NAB 2010 in booth SL3920.

Key features of Matrox Multi cards for Mac

· Single-slot, ¾ length PCI-e x8 card fits into Mac Pros and Apple Xserve systems

· Video inputs: up to four multi-rate 3G/HD/SD SDI or two 3G level B, or two Dual Link, or two video + key

· Video outputs: up to four multi-rate 3G/HD/SD SDI or two 3G level B, or two Dual Link, or two video + key

· 10-bit hardware scaling engine supports up to four HD streams or eight SD streams

· 16 embedded audio I/O channels per SDI stream

· 4 unbalanced analog audio channels for monitoring

· Support for SDI ancillary data – ATC, AFD, CC

· Analog blackburst reference input (tri-level or bi-level) with loopthrough

· Automatic video bypass and A/V watchdog support

· Auto-detection of input video resolutions

· Onboard live video mixer with zero frame delay

· One analog LTC input

· RS-422 port for device control

Availability
Matrox Multi is available in three different versions: Matrox Multi-Ingest – four-channel 3G/HD/SD input card, Matrox Multi-I/O – simultaneous, independent two-channel input and two-channel output 3G/HD/SD card, and Matrox Multi-Playback – four-channel 3G/HD/SD output card. Matrox Multi cards along with the SDK are available to developers now. Shipments to end users will begin in June 2010.

About Matrox
Matrox Video Products Group is a technology and market leader in the field of HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, DVD/Blu-ray authoring, scan conversion, capture/playout servers, clip/still stores, and CGs. Matrox’s Emmy award-winning technology powers a full range of content creation and delivery platforms used by broadcasters, post-production facilities, project studios, corporate communicators, and videographers worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information visit www.matrox.com/video.

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Matrox is a registered trademark and Matrox Multi is a trademark of Matrox Electronic Systems Ltd. All other trademarks are the property of their respective owners and are hereby acknowledged.

Janet Matey

Marketing Communications Director

Matrox Video Products Group

tel: (514) 822-6037

fax: (514) 685-2853

janet.matey@matrox.com

www.matrox.com/video